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FEATURES OF KONICA AUTOREFLEX T
2. Equipped with a variable TTL (Through-The-Lens) system which measures light in the most ideal manner depending on the coverage angle of an interchangeable lens.
3. The viewfinder is bright and the light metering system is of the full lens opening type. The lens may be stopped down for light metering, wherever necessary.
4. Incorporates a polymechanical viewfinder which makes it possible to check all data for photographing at an instant.
5. Color Dynamic Coating which gives fully display to excellent effects.
6. A system camera which makes possible multipurpose photographing with an ample series of interchangeable lenses and accessories.4.butkus.org
Basic Manipulation for EE Photographing ......... 6
Major Specifications of KONICA Autoreflex T ....... 9
Name of Each Part ..................... 10
Loading of Mercury Battery Cells
(Meter Switch/Check of Batteries)
(Set Film Speed)
Metering Systems of TTL Meter . . .
Looking at Meter inside Viewfinder .
Training of Camera . .,
Focusing . . . .. . . .
Depth of Field .....
Use of Self-Timer . .
Film Rewind ...............
Synchroflash Photography ......
B (Bulb) Exposure . .
Lens Interchange . . .
Photographing in Stopped-down Metering System
HEXANON Interchangeable Lenses .......
Accessories . . . .. . . . . . .. ...
Maintenance of Camera and Lens . .
BASIC MANIPULATION FOR EE PHOTOGRAPHING
1. Insert mercury batteries and put ON the meter switch.
2. Insert film and set the film sensitivity speed.
3. Set your camera to the EE mark.
4. Determine a shutter speed. (1/125 sec. for outdoor shooting and l!30 sec. for indoor
5. Focus and frame.
6. Check the exposure.
7. Depress the shutter button to take a picture.
8. After a roll of film has completely be taken rewind the film.4.butkus.org
MAJOR SPECIFICATIONS OF KONICA AUTOREFLEX T
Type: 35mm SLR equipped with focal plane shutter and TTL-EE system.
Film: 35mm film in cartridge, 20 or 36 exposure.
Picture Size: 24 x 36mm. (1" x 1-1/2").
Standard Lens: HEXANON AR 57mm f/1.2 (6-group and 7-element), AR 57mm f/1.4 (5-group and 6 element), AR 57mm f/1.8 (5-group and 6 element). Equipped with EE lock and closest taking distance 1-1/2R (0.45m), Color Dynamic Coating.
Mount: KONICA Mount 11 of bayonet type, diameter 47mm, flange back 40 .5mm.
Shutter: Up-and-down running metal focal plane High Synchro shutter "Copal Square S" with speeds of B 1 to 1/1000 sec. Speed scale calibrated in equally graduated 1: 2 progression, single-spindle, non revolving dial, built-in self-timer, M and X synchro. M, FP and MF coupled to all speeds with M and electronic light to 1/125 sec. with X.
Viewfinder: Eye-level viewfinder using pentaprism. Fresnel lens also used. Built-in rangefinder focusing lens with Micro Dia Prism of real-image dispersion alignment type. Polymechanical Viewfinder in which shutter speed scale, aperture scale, meter needle, exposure warning marks, mark indicating f-number at full lens opening, manual indicator mark, index point for stopped-down metering and battery check mark are all visible.
EE Coupling Range: EVI. 5 (f/1.2 with 1/2 sec.) EV18 (f/16 with 1/1000 sec.) with ASA 100 for f/1.2 lens.
Film Sensitivity Range: ASA 25 to 1600, DIN 15 to 33.
Film Loading: KONICA EL Type (patented Konireel Used).
Film Wind: Film wound with top lever in one action (cocking in are of 162° with 30° play), double exposure prevention.
Film Counter: Automatic return type indicating number of pictures exposed.
Film Rewind: Crank type. Rewind button automatically returns.
Dimensions and Weight: With f/1.2: 5-3/4"(w)x3-3/4"(h)x3-3/4"(t),
With f/1.4: 5-3/4"(w)x3-3/4"(h)x3-1/2"(t), 36ozs.
With f/1.8: 5-3/4',(w)x3-3/4"(h)x3-1/2"(t), 34ozs.
Without lens: 5-3/4"(w)x3-3/4"(h)xl-1/4"(t), 26ozs.
The KONICA Autoreflex T's TTL meter takes two 1.3V mercury battery cells as its electric source. Wipe the separately enclosed mercury battery cells with a piece of dry and clean cloth and put them into the mercury battery chamber.
(Webmaster: this is a mercury battery, not available for sale in the U.S. Check my web page for Mercury Battery Replacements. There are several options.
2. Insert the two cells into the mercury battery chamber the "+" side up, as indicated in the figure printed on the seal inside the chamber.
Turn the cover of the mercury battery chamber clockwise and make sure that it has been screwed tightly.4.butkus.org
The meter-switch will be put ON when the Lock Lever (3) placed under the Shutter Button (1) is turned so that it comes in alignment with the red index point.
Unless pictures are to be taken, set the lever to "L" and the switch
will be kept put OFF, preventing the mercury battery cells from accidentally
running down. At the same time, the shutter button wish be locked. Use
this system when the camera is to be carried around with the film cocking
Check of Batteries
The expected span of serviceability of a mercury battery cell will be over one year in normal use. With the span of its serviceability getting to a close, its voltage will suddenly diminish. The degree to which the cells have run down may be checked while pictures are taken, but it will also be possible to check it in the following manner.
2. Grip and lift up the place outside the Shutter Speed Dial (17) and set the film speed to ASA 100.
3. Turn the shutter speed dial and set it to 1/125 sec.
4. While looking into the viewfinder, depress the Battery Check Button (27) on the bottom of your camera. The capacity of the battery cells will be adequate if the Meter Needle (45) is found to be swinging under the Battery Check Mark (46). If the meter needle is no longer able to reach the mark, replace the battery cells with new ones.
· The meter takes two 1.3V National H-C, Mallory PX-675 or Eveready
EPX-675 mercury battery cells. Care must be exercised in selecting the
cells as there are cells which look identical in shape but differ in stipulated
voltage, such as battery cells.
See this link on a Wein Air replacement battery.
See this link on a Wein Air replacement battery.
· In the event that your camera is not to be used over a long span of time, take out the mercury battery cells and keep them in a place free from moisture.
The KONICA Autoreflex T takes 35mm rod film, which comes in a cartridge.
For film loading, avoid the direct sunlight and do it in the shade. If
there is no shade, one way would be to use the shadow of your body.
1. Put the Back Cover Lock (24) and open the Back Cover,
3. Pun out the film while the cartridge is lightly pressed down and then choose any slit of the Film Take-up Spool (32) into which the film tip may be inserted with ease and insert the film into the slit.
5. Flip up the Film Rewind Crank (19) and turn it in the direction indicated by an arrow mark on it to reduce the slack of the film.
6. Turn the film cocking lever until it does not move further and depress
the Shutter Button (1). Repeat this action tin the figure "1" comes in
alignment with the index mark in the window of the Film Counter. (2). If
the him is transported in the correct manner when the film cocking lever
is turned, the Film Rewind Knob (20) will revolve counterclockwise. If
does not turn counterclockwise, rewind the film (see Page 48) and
· Turn the film cocking lever until it does not move further and the film will be transported by one frame and the shutter charged at the same time. The mirror and the automatic aperture will also be set. Simultaneously, the film counter will advance by one reading.
7. Set Film Speed (ASA)
Lift and turn the external ring of the Shutter Speed Dial (17) and align the reading equivalent to the speed of the film loaded in your camera with the index mark of the Film Speed Indicator Window (ASA) (14). When they are aligned, the ring drops and is fixed into position.
· The ASA and DIN scales visible in the film speed indicator window indicate the degrees to which film is sensitive to light. The film speed of your film is indicated on the box in which it is contained and in its instruction booklet. (Figures in brackets refer to intermediate points of sensitivity.)
A shutter is designed to control the amount of light reaching the film surface in terms of time and photographically to fix an image of a subject on it. The shutter speed scale has calibrations of B and I to 1/1000 sec. and the denominator of each speed is indicated on the shutter speed dial. The shutter speed may be adjusted simply by bringing a reading in line with the index mark
· Shutter speed calibrations are also visible in the viewfinder, thus making it possible to ascertain the speed while looking through the viewfinder.
·"B" stands for bulb exposure and is used when there is the need for the exposure of over one second. (Page 53)
· The red figure of "125" is the maximum shutter speed for synchronization with an electronic light.
· Do not turn the shutter speed dial when
the shutter button is depressed.4.butkus.org
The lens aperture is designed to control the amount of light reaching the film surface in terms of area and the depth of field (see Page 40). Your camera's EE system will automatically determine the correct aperture value, once the EE mark on the aperture ring is aligned with the index mark. Manual aperture is also usable (Page 35). In either event the fully automatic aperture system will work and the lens will be stopped down to a determined f-number only during the split moment when the shutter is depressed and then automatically return to the full opening after a picture has been taken.
· The amount of light going through the lens will reduce in proportion to a rise in the aperture value. The correlation, as indicated in the above figure, is such that the brightness of the lens reduces by half in proportion as the aperture enlarges by one reading.
· The lens having the EE Release Button (12) at its aperture ring is equipped with an EE lock. In the event that the camera is released from the electric eye system and used for manual aperture, depress this button and turn it.
· The aperture is continually variable,
and therefore an intermediate point between readings on the aperture ring
METERING SYSTEMS OF TTL METER
The KONICA Autoreflex T's TTL meter not only measures light reaching the film plane through the lens but also incorporates a variable metering system in which the spot metering method, the center spot metering method and the all-frame average metering method are automatically selected, depending on the coverage of the lens. This system makes it possible to measure light with the lens kept at its full opening while looking through the bright viewfinder and to measure light with the lens stopped down to a desired f-number.
It is the most ideal metering system in which deep hoods are fitted
to the two compound CdS.cells on both sides of the viewfinder . eyepiece
and the light intake device is slanted inwards and in which the brightness
of a subject whose image is formed on the focusing glass plate as indicated
in the figure is measured while a curvature of the
NOTE: The KONICA Autoreflex T does not take any fully automatic EE aperture lens prepared for the Autoreflex as it is. Make sure that you use it after it has been remodeled into a lens for use on the Autoreflex T (with f-numbers). Remodeling work is quite simple.4.butkus.org
Sensitivity distribution invariable metering system
LOOKING AT METER INSIDE VIEWFINDER
F-NUMBER FOR CORRECT EXPOSURE: When the Meter Needle (45) stops within the range of correct exposure, the f-number on the aperture scale (47) to which the meter needle points is the aperture to which the taking lens will be set when the shutter is released for a shot.
CORRECT EXPOSURE RANGE: For an AR lens which is not f/1.2 in brightness, the Mark Indicating the F-number (44) at the Full Lens Opening shows the f-number at the full opening of the lens used on your camera. If the meter needle is aligned with this red mark, pictures will be under-exposed. The mark indicating the f-number at the full opening of the lens win move down if the meter is not coupled. In other words, the mark will also show the range where the meter is coupled. In EE picture-taking, therefore, the area sandwiched between the upper and lower red marks is the correct exposure range.
INDICATION OF SHUTTER SPEED SCALE: The speed at which the shutter will be released is indicated on the Shutter Speed Scale (42) in the lower part of the viewfinder
MANUAL INDICATOR MARK: When the EE device is released and the camera is set to manual picture-taking or when the stopped-down metering system is used, the Manual Aperture Indicator Mark (43) "M" will appear over the meter window, showing that a picture is not to be taken under EE system.
INDEX POINT FOR STOPPED-DOWN METERING: For stopped-down metering, the meter needle will be brought in line with the Index Point for Stopped-down Metering (41) to secure a correct exposure. (Refer to "Stopped-down Metering" on Page 57.)
BATTERY CHECK MARK: The Battery Check Mark (46) is used to check
the serviceability of the mercury battery cells which serve as the electric
source of the meter. (Refer to 'Battery Check" on Page 16.)
(Light Metering at Full Lens Opening)
This method is commonly used when pictures are taken under the EE system with an AR lens having the EE mark.
1. Set Your Camera to EE Mark.
Turn the Aperture Ring (11) arid bring the EE Mark (4) in line with the index point. The EE lock will click into position.
2. Determine Shutter Speed.
Turn the Shutter Speed Dial (17), select a reading on the Shutter Speed Scale (16) suitable for your subject and bring it in line with the index mark. In normal circumstances, it is convenient to set the shutter speed to 1/125 see, for outdoor shooting and 1/30 sec. for indoor picture-taking.
3. Look Through Viewfinder.
Train your camera at the subject look through the viewfinder, focus the lens, flame your subject and look at the Meter Needle (45) in the viewfinder. If the meter needle is not aligned with the upper or lower red mark (exposure limit mark), You will always be able to secure correct exposure.
(Webmaster: depending on the lens installed, the top red mark will cover more of the larger F-stops. In the overexposure image note the red meter arm in the bottom of the metering range in the red. Most other camera makers have the overexposure at the TOP of the metering range)
When the meter needle indicates an under-exposure, choose a slower shutter speed. When it indicates an over-exposure, select a faster shutter speed. Correct exposure may be secured as long as the meter needle is not aligned with the upper or lower red mark.
In the event that you want to give priority to the selection of a lens aperture over a shutter speed because of a desired depth of field, turn the shutter speed dial and make an adjustment so that the needle will indicate the desired f-number. No intermediate points between shutter speed readings are usable, so make sure that the shutter speed dial clicks into position.
·It will be quite meaningless even if the meter is visible within the correct exposure range with the shutter speed dial set to the `'B" reading. Do not use this method.
(Webmaster: in real English - In BULB the meter does not work.
It's experience and using the setting off the film box time)
When a picture is to be taken while using the manual aperture button in ascertaining a depth of field or when it is to be taken with a flash light, release the EE system and set your camera to manual aperture. While the EE release button is depressed, turn the aperture ring, detach the EE mark from the index mark and determine an exposure according to the Manual Aperture Scale (8).
Hold Your Camera Tight
To take a sharp picture, the important thing is to hold your camera in a stable manner to prevent it from being jarred when the shutter button is depressed. Hold your camera in both hands and make it stable by holding it against your face and pressing the elbow of your hand supporting the camera against your body.
Particularly, it is more difficult to hold the camera, the long side up than to hold it, the long side down. It would be advisable to get yourself accustomed to the vertical holding of your camera.
· In taking pictures at slow shutter speeds or with a telephoto
lens, the camera is likely to be jarred -if it is held in the hands. Here,
the use of a tripod and a cable release is advisable. The tripod win be
fixed to the Tripod Tap-hole (38) of the underside of the camera and the
cable release to the tap-hole of the shutter button.
Focusing is done by turning the Focusing Ring (10) and watching the Micro Dia Prism (49) at the center of the viewfinder. When the lens is not focused, the image on the micro die prism looks rugged. The image is clearly visible, however, when the lens is accurately focused. The image of the periphery is also clearly visible. When an interchangeable lens, long in focal length, is used, it is difficult to observe the Micro Dia Prism. For focusing, it is advisable to use the Mat Plane (50). To ensure the accurate focusing of the lens, it is necessary to correct the eyesight of the viewfinder. Eyesight adjustment lenses are available for short- and long-sighted people.
The viewfinder is of the single-lens-reflex real-image type. Regardless
whether the taking distance is far or short and whether or not a lens is
interchanged, the image visible in the field of view is the same as that
exposed on film.4.butkus.org
DEPTH OF FIELD
When the lens is focused on a subject at some distance, not only the subject but also a certain area around the subject will be sharply delineated in a photograph, and this area is known as a depth of field and has the following features.
a The bigger the f-number, the larger the depth of field,
c. When the lens is focused on a subject the depth of field is bigger for the section in Wont of the subject than the area behind the subject
d The shorter the focal length, the bigger the depth of field
Using Table of Depths of Field: The Depth-of-Field Scale (6) is so calibrated that readings identical to those of the lens aperture are provided on both sides of the Distance Index Mark (51). For example, let us assume that the distance between the film plane and the subject on which a 57mm f/1.4 lens has been focused is 30 feet. The depth of field will be 22 to 46 feet for f/4 and 13 feet to on (infinity) for f/16.
INFRARED FILM COMPENSATION MARK:
The point of focus is somewhat different in infrared photography as compared to normal photography. After the lens has been focused as in normal photography, read the calibration on the Distance Scale (7) aligned with the Distance Scale Index Mark (51) and bring this reading in line with the Infrared Film Compensation Mark (52) before the shutter is released for a shot
Using Manual Aperture: The AR lens having an EE mark is equipped with a fully automatic aperture and therefore constantly set to the full opening. If you want to ascertain the depth of field while looking through the viewfinder turn the aperture ring to detach the EE mark from the index mark and determine an f-number. While depressing the manual aperture button (37), look through the viewfinder to ascertain the depth of field.
FOCAL PLANE MARK: The distances shown on the distance scale are those between subjects and the Focal Plane Mark "" (18) which indicates the position of the film plane.
(Webmaster: In English - the distance marks on the lens means the distance from the subject to the film, not front of the lens)
(Two pages of detailed Depth Of Field tables were omitted)
USE OF SELF TIMER
The self-timer of the KONICA Autoreflex T is usable in EE manual and synchroflash photography. Use the self-timer when you are to take pictures of your companions and yourself and when it is to take the place of a cable release to prevent your camera from being accidentally jarred
After the film cocking lever has been wound, fully turn the SelfTimer Lever (5) and set the selftimer (the self-timer may also be set before the cocking lever is wound).
Depress the shutter button and the self-timer will be put to operation. The shutter will be released in about 10 seconds.4.butkus.org
· Instead of fully turning it, the self-timer may be set midway to reduce the time lag before the shutter release.
NOTE: When the self-timer is used in EE photography, note that strong light accidentally comes in the camera through the eyepiece as the shutter button is depressed and it leaves a strong impact on exposure. When the shutter button is to be depressed, therefore, look through the viewfinder or cover the eyepiece with a hand to prevent strong light from accidentally coming through the eyepiece. When the shutter button is to be depressed with your eye detached from the eyepiece, make sure that you do not stand right in front of your camera. Otherwise, the exposure will be determined on the basis of brightness of your clothing.
After a pre-determined number of pictures have been taken on the film loaded in your camera, the film needs to be wound back into the original cartridge.
If the back cover of your camera is opened without rewinding the film, the film win be exposed to light and all of the film will become useless.
· When the cocking lever no longer moves
further after the advance of the last frame of the film, do not try forcibly
to cock the lever Put the lever back to the original position.
2. Flip up the Film Rewind Crank (19) and turn it in the direction indicated by an arrow mark on the crank. This action will take the exposed film back into the cartridge.
3. The film rewind action comes to an end when there is a sudden easing of the load on the film rewind crank. Avoid the direct sunlight and open the back cover to take out the cartridge.
· The film rewind button will also return
to the original position when the film cocking lever is wound.
When pictures are to be taken during the night or in a dark room which does not permit EE photography, or when there is the need to use an auxiliary light during the daytime, use synchroflash bulbs or an electronic light in taking pictures.
For synchroflash photography, use Accessory Clip 3 which makes it possible to mount either a KONICA Cube Flash or a small electronic light on the eyepiece assembly.4.butkus.org
As your camera is equipped with a tap-hole each for Classes M and X, insert the plug into Tap-hole "M" for bulbs of Classes M, FP and MF (flash cubes) and into Tap-hole "X" for an electronic light.
·As for the KONICA Autoreflex T. the time lag is set at 18 millseconds for Class M and zero for Class X.
Exposure for Synchroflash Pictures
The Electric-Eye system is not usable for synchroflash photography and
your camera must be set to manual aperture. The required lens aperture
is computed by dividing the guide number of the used synchroflash bulb
or electronic light with the taking distance.
For example, let us assume that a bulb of Class M is used, the guide
number is 110 for the pre-determined shutter speed and the taking distance
is 10 feet. For a correct exposure, your camera win have to be set to fill
on the manual aperture scale, whereas 110 . 10 = 11. As regards the shutter
speeds with which each synchroflash bulb or electronic light is synchronized,
refer to the table.
B (BULB) EXPOSURE
Turn the shutter speed dial to align the "B" mark with the index mark and release the shutter, and the shutter will be kept during the moment when the shutter button is kept depressed. This process is usable when there is the need to expose film for more than one second
The bulb exposure cannot be used in the EE system. Set your camera to manual aperture.
· To prevent your camera from accidentally
being jarred, the use of a tripod and a cable release is advisable. The
KONICA Cable Release designed exclusively for the cameras is equipped with
a T stop, which makes possible time exposure. In T exposure, the film win
be kept exposed even if the finger is detached from the release.
To Dismount the Lens:
While the Lens Interchanging Button (23) is depressed, grip the silver
part of the lens barrel and revolve it counterclockwise, Pun out the lens
when the red dots of the barrel and camera have been aligned with each
To Mount a Lens:
Bring the red dot of the lens in line with the lens mount index mark
(red dot) on the camera body and gently sink the lens barrel into the camera.
Grip the silver part of the lens barrel and turn it clockwise until it
clicks into position.4.butkus.org
· When the lens is detached, see to it that dust will not come in the camera and lens barrel and the lens surface will not be either scratched or marred with fingerprints. Under any circumstances, do not touch the inner parts of the camera.
· When the lens is taken out of the camera over a certain length of time, use a camera body cap and a mount cap which is snapped on to the rear part of the lens.
· When the lens is to be mounted on your camera, make sure that the lens is sunken into the camera while the red dots of the lens and camera are aligned with each other
PHOTOGRAPHING IN STOPPED-DOWN METERING SYSTEM
The AR lens provided with an EE mark is so designed that light can be measured at the full opening of the lens with automatic aperture either in EE or manual photography Exposure win be determined in the stopped-down metering system for the following instances, however.
1. When an ARP lens equipped with manually preset aperture or an ARM lens with manual click aperture is used 2. When automatic aperture cannot be put to use due to the utilization of an extension ring and bellows.
The aperture scale visible in the viewfinder is not usable for the stopped-down metering system. Turn either the aperture ring or the shutter speed dial and align the Meter Needle (45) with the Index Point for Stopped-down Metering (41) situated at the reading "f/ 1.4" to secure a correct exposure.
If the combination of aperture and shutter speed is improper, the needle
win not come in alignment with the index mark. Pictures win be under-exposed
when the needle is situated above the index mark and R will be over-exposed
when it is located under the mark. Here, make an adjustment either with
aperture or shutter speed.
· In the stopped-down metering system, the eyepiece tends to be affected by adverse light than in the system in which light is measured at the full lens opening. Determine the exposure while your eye is put as close to the eyepiece as possible. The needle swings in a very slow pace. Take a picture after it has been ascertained that the needle is aligned with the index mark.4.butkus.org
· In the event that a manually preset aperture lens is to be used on your camera, set the preset aperture ring to the reading of the smallest lens aperture in advance and then turn the aperture ring. This action will make easier the manipulation.
· Microphotogrphic pictures are also taken
under the stopped-down metering system. Make an adjustment either with
shutter speed or according to the brightness of the light source since
no aperture is available.
HEXANON INTERCHANGEABLE LENSES
OBJECTIFS HEXANON INTERCHANGEABLES
HEXANON DE OBJETIVOS INTERCAMBIABLES
· KONICA Filters
As the KONICA Autoreflex T is of the TTL type, there is no need to worry
about a filter factor according to the type of filter used on your camera.
It is advisable to use a filter to boost photographic effects.
|Colorless||UV (L 39)||Absorbs only ultra-violet rays. Used for color photography since it produces no effects on colors. Also serves as a lens protector.|
|Y I (Y 44)
Y 2 (Y 48)
Y 3 (Y 52)
|Absorbs ultra-violet rays, purple and blue. For landscapes, portraits and snapshots. Assures proper contrast in brightness and dimensional effects. For black-andwhite.|
|Orange||01 (0 56)||Produces powerful contrast due to its wide absorbing range. For mountains, distant scenes and architecture. For black-and-white.|
|Red||Extremely strong contrast. Daytime landscapes sometimes look as if they were night scenes. Can be used with infrared film. For black-and-white.|
|Yellowish green||Brings film characteristics closest to the human eyes. Shows colors naturally. For outdoor portraits as it has the same characteristics as the light yellow filter.|
|Absolutely no effect on colors reduces light. Used with both
color and black-and-white. Light IS reduced 1/2
with ND2, 1/4 with ND4 and 1/8 with ND8.
|Light pink SKYLIGHT||Like the ND filter, it absorbs ultra-violet rays Prevent distant scopes with sky and shades from becoming bluish in color pictures. For color film.|
|Light amber||A 2||Absorbs blue light from shadows; also from cloudy scenes. Use to reduce color temperature for daylight type color film.|
|Light blue||B 2||Absorbs red from scenes taken at sunrise and sunset. Raises color temperature for daylight-type color film.|
|Blue||B 8||Used with flashbulbs (clear bulbs) and daylight-type color film to reduce red tone and raise color temperature.|
|Dark blue||B 12||Used with photo-reflector lamp (3,200°K) and daylight type color film to reduce red tone and to raise color.|
MAINTENANCE OF CAMERA AND LENS
· In wiping the camera body and lens barrel, take off dust with a brush and blower before they are cleaned with a piece of soft cloth. Use a brush or blower in taking out dust inside the camera and do not go as far as to wipe the mirror, which is a special plane mirror.
· Use a soft brush in taking off dust on the surface of the lens. in the event that it is marred with fingerprints or water drops prepare a piece of wed washed, clean cotton cloth and dampen it with a small quantity of absolute alcohol (it is advisable to mix it with ether). Lightly wipe the lens surface in a whirlpool starting at the center.
· To store the camera and lens, choose a place free from moisture. Take out the mercury battery cells. The best and safest method will be to keep them in a polyethylene bag together with a desiccant, such as silica gel.
· Lens Hoods
The use of a lens hood is indispensable to the prevention of un-necessary rays From fading on the taking lens. It is advisable to use a lens hood suited for the coverage of the lens mounted on your camera.4.butkus.org
· Body Cap and Mount Cap
The body cap is designed to protect the inner parts of the camera and the rear part of the lens when the lens is detached from the camera. It is of the bayonet type.
· Semi-Hard Case Front Cover for 135mm Telephoto Lens Usable even when a 135mm, 100mm or 85mm telephoto lens is mounted on the camera.
· Eyesight Adjustment Lenses
For long- and short-sighted persons, it is advisable to use an eyesight adjustment lenses on the eyepiece frame. It will become easier to look into the viewfinder even without a pair of glasses, The lenses come in the four types of +3, +2, +1 and - 2.5 Dioptrie,
· Accessory Clip 3
Equipped the eyepiece assembly this is an adopter indispensable for using a KONICA Cube Flash or a small electronic light in synchroflash photography.
· KONICA Cube Flash
A flash cube designed to flash 4 bulbs in a successive manner this gadget also serves as a small flash gun using an AG-type adopter.
· KONICA Cable Release
Use of the Konica Cable Release is advisable to prevent the camera from being accidentally jarred when pictures are taken at slow shutter speeds.
· Auto Ring and Double Cable Release
The camera cannot be set to automatic aperture when the extension ring and the extension bellows are in use. The use of the Auto Ring and Double Cable Release makes it possible to take pictures in a semi-automatic aperture system.4.butkus.org
· Angle Finder 2 The use of the Angle Finder makes it possible to look into the viewfinder from above the camera. This gadget is quite handy when pictures are taken at a low level, such as in copying and microphotography.
· Attachment Lens 55mm
Simply by screwing this lens in on the taking lens, close-up pictures may be taken under the EE system.
No. 1 for 64 to 32cm (25 to 12'A")
No. 2 for 36 to 26cm (14" to 11")
· Extension Rings 2
Fitted between the camera and the lens, this ring is used in taking close-up pictures of still objects or copying books. A set of base rings and three intermediate rings will make it possible to take life-size and smaller close-up pictures.
· Extension Bellows 2
This bellows system is quite handy for taking pictures of a subject in larger size than it actually is. As It may be optionally expanded and contracted, this gadget IS fitted for use in taking close-up pictures and photographing very small specimens, when the subject-to-camera distance has to be changed in a successive manner.
· Extension Bellows 2D and Slide Copier
Being a deluxe version of the Extension Bellows 2, the 2D has a rail on which the bellows may be extended further. The Slide Copier, used together with the 2D, is designed to copy color slides and negatives.4.butkus.org
· Lens Mount Adapters Fitted between the lens and camera,
this adapter is used for a lens other than the Autoreflex T lens.
· KONICA Lens Mount Adapter (For PM, FP and FS)
· Exakta Lens Mount Adapter 2 (For Exakta) .
Praktica Lens Mount Adapter 2 (For Pentax and Praktica)
· N ikon Lens Mount Adapter
· Microscope Adapter 2
This adapter makes it possible to take microphotographic pictures only with the object and eyepiece lenses of ? microscope. While looking through the camera finder, It IS possible to check the field of view and whether or not the lens is accurately focused and to take pictures while the subject is being observed.4.butkus.org
· Copy Stand With a camera mounted on its support stand, the Copy Stand makes it possible to copy prints, photographs and paintings, less than 10-Sl8" x 13-3/4" in size, in an efficient manner. The simultaneous use of the Extension Ring or Attachment Lens is advisable for the copying of small-size pictures.