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Table of Contents
1. Film Rewind Knob/Back Cover Lock Release Knob
2. Film Rewind Crank
3. Film Speed Dial (ASA/DIN)
4. Film Speed Lock Button
5. Hot Shoe/Flash Contact
6. Shutter Speed Index Line
7. Shutter Speed Dial
8. Cable Release Socket
9. Shutter Release Button
10. Meter/Shutter "ON-OFF" Index Mark
11. Film Advance Lever
12. Exposure Counter
13. Neck Strap Eyelet
14. Self timer LED
15. Self timer Lever
16. Lens Release Lever
17. Lens Locator Node
18. Depth of Field Scale
19. Focusing Ring
20. Distance Scale
21. F-Stop Ring
22. Sprocket Teeth
23. Film Guide Rail
24. Viewfinder Eyepiece
25. Flash Ready LED
26. Film Rail
27. Film Rewind Shaft
28. Film Chamber
29. Battery Compartment Cover
30. Tripod Socket
31. Film Rewind Release Button
32. Film Take-up Spool
33. Back Cover4www.butkus.org
34. Film Pressure Plate
35. Microprism-image Band
36. Split-image Spot
37. Exposure Meter Needle
38. Shutter Speed Needle
We are most gratified that you have selected the KR-5 SUPER which we are sure will give you many delightful years of picture-taking pleasure. The KR-5 SUPER is a 35 mm SLR camera which assures you of superb optics and outstanding mechanical performance and reliability and which will justify your choice for years to come.
Before Using Your KR-5 SUPER
Please read this instruction booklet carefully and familiarize yourself with the equipment and its features thoroughly. Your pleasure in using your KR-5 SUPER will be greater if you know your camera properly.4www.butkus.org
The built-in through-the-lens CdS exposure metering system of your KR-5 SUPER operates on power activated by two 1.5V SR-44 silver oxide batteries, which are supplied together with your camera.
1. Remove Battery Compartment Cover (29) by unscrewing
it counterclockwise with a coin (Fig. 1).
2. Place the two batteries into the compartment
with the plus (+) side down, as illustrated in the battery holder of Battery
Compartment Cover (29) (Fig. 2). Make sure that the batteries are correctly
placed. If incorrectly placed, Exposure Meter Needle (38) in the viewfinder
will not move at all.
3. Replace Battery Compartment Cover (29) by screwing it clockwise until it stops but do not force.
Tips for Better Results
Before loading, wipe off the surfaces of the batteries
with a clean and dry cloth to ensure they are free of fingerprints or stains.
When your camera is not used for a long period, remove the batteries and
keep it in a cool, dry place.
The batteries will last for about one year in normal
use. We suggest you replace them regularly once a year birthday or sooner.
* The batteries may explode if disposed of in fire.
* Replace the batteries when the Exposure Meter Needle (37) in the viewfinder does not move in direct sunlight or other bright lights with Film Advance Lever (11) moved to "ON" position (Refer to "METER/SHUTTER ON-OFF CONTROL"). For replacement, use two new Mallory MS76, Eveready S76 or equivalent.
Your KR-5 SUPER is designed to accept any standard 35 mm color or black and white film roll in cartridge ( 12, 20, 24 or 36 exposures).
1. First of all, press Shutter Release Button (9) to see that the shutter has been released. (Refer to "METER"/SHUTTER ON-OFF CONTROL")
2. Pull up Film Rewind Knob (1 ) until Back Cover
(33) snaps open (Fig. 3). Then, pull it out all the way to allow for insertion
of the film cartridge.
3. Swing open Back Cover (33) and place a film cartridge
into Film Chamber (2B) (Fig. 4).
4. Push down Film Rewind Knob (1) to its original
position by turning Film Rewind Crank (2) clockwise or counterclockwise
so that Film Rewind Shaft (27) engages the film cartridge and that the
film cartridge is seated in place (Fig. 5).
5. Draw the film leader across the camera back and
insert it into one of the slits of Film Take-up Spool (32) (Fig. 6). To
bring the slit into a convenient position, rotate Film Take-up Spool (32)
in the direction of arrow with your finger.
6. Rotate Film Take-up Spool (32) by advancing Film
Advance Lever (11 ) to take up any slack in the film and check to see that
the film tip is firmly hooked onto Film Take-up Spool (32) (Fig. 7) and
that sprocket holes on the film are fully engaged on Sprocket Teeth (22)
(Fig. 8).
7. Close and press Back Cover (33) firmly
until it snaps shut.
8. Advance Film Advance Lever (11 ) two or
three times, after depressing Shutter Release Button (9) each time, until
the number "1" is opposite the index line in Exposure Counter (12) (Fig.
9). Because the first portions of the film can not be used for picture
taking as they have already been exposed to light and two or three blank
exposures should be fired before taking your first picture. Now it is ready
for your first picture.4www.butkus.org
Tips for Better Results
* As you advance Film Advance Lever (11), Film Rewind knob (1 ) will simultaneously rotate counterclockwise indicating that the film is properly advanced.
Each type of film, color or black and white, has its own sensitivity to light. This sensitivity is assigned by a numerical value described as an ASA rating (U.S.A. Standard) or a DIN rating (Europe and most other countries). in most cases, both ASA and DIN ratings are imprinted on the film package, as well as the data sheet packed with the film and film cartridge itself. The higher the film speed rating, the more sensitive the film is to light, that is, less light is required for a proper exposure. The film speed, therefore, is an important element in insuring that the through-the-lens metering system of your camera determines the correct shutter speed and f-stop combinations for a given lighting situation.4www.butkus.org
1. Depress Film Speed Lock Button (4) (Fig. 10)
and rotate the outer ring of Film Speed Dial (3) until the ASA (or DIN)
number of your film is exactly opposite the index line on the outer ring
of Film Speed Dial (3) and click stops. For example, if the film is ASA
100, make the correct setting at "100" (Fig. 11).
Tips for Better Results
Film Advance Lever (11) controls exposure meter "ON-OFF" and shutter release "LOCK-UNLOCK" to protect your camera from unnecessary depletion of the batteries and accidental shutter release when not taking pictures. 40 degree pre-advance and 135 degree advance angle assures faster winding and permits continuous operation for sequence photography.
2. Whenever picture-taking is completed, be sure to move Film Advance Lever (11) to "OFF" position (Fig. 13). The electric circuit is switched off and Shutter Release Button (9) is locked.
Your KR-5 SUPER has a built-in through-the-lens full aperture CdS exposure meter which measures the light coming through the lens and enables you to set the proper exposure for a given lighting condition. The correct exposure is obtained by setting the shutter speed and f-stop in the correct combination for the film, subject and lighting conditions.
1. Set the desired shutter speed opposite Shutter
Speed Index Line (6) by rotating Shutter Speed Dial (7) (Fig. 14).
(Read "SETTING THE SHUTTER"). Shutter Speed Needle
(37) in the viewfinder moves according to the shutter speed you set.
2. Move Film Advance Lever (11 ) to "NO" position
(Fig. 12)
3. Hold your camera, look at your subject through the Viewfinder Eyepiece (24) and check Exposure Meter Needle (37).
4. Rotate F-Stop (lens opening) Ring (21) and align
Exposure Meter Needle (37) with Shutter Speed Needle (3B) (Fig. 15). If
Exposure Meter Needle (37) goes above Shutter Speed Needle (38), this means
"overexposure" (Fig. 16): select a faster shutter speed or a smaller lens
opening. On the contrary, if the needle goes below Shutter Speed Needle
(38), this means "underexposure." (Fig. 17); choose a slower shutter speed
or larger lens opening.
[Mike: The object is to get the two arms to match.
As you move the shutter speed to a faster speed, the arm with the circle
will go higher on the viewfinder requiring you to change the aperture.
As you choose a slower shutter speed the arm with the circle will be lower
in the viewfinder. Slower shutter speeds can mean camera shake or
blur if the camera is steady but the objects being photographed are
moving faster then the shutter can freeze them. Choosing film speed
fast enought is an option to capture action]
If you want to use a specific f-stop for depth of field
control, you may set the f-stop first and then the shutter speed, while
other procedures are the same as above.
This setting may be used when you take a portrait
or the like, intentionally making your subject attractive with the background
or the scene in front of it blurred. How your subject turns out in the
picture depends on the f-stop setting. (Refer to "DEPTH OF FIELD").
Exposure Compensation
Though you learned how correct exposure is obtained, in unusual lighting conditions, the desired effect or the correct exposure will not be obtained in the final picture and exposure compensation is necessary.
Back-lit subjects
When the light is behind the subjects,
2. If it is impossible to approach the subject, adjust
either shutter speed or lens opening to overexpose. When you adjust the
lens opening, open up the aperture by 1 or 2 stops.
2. If it is impossible to approach the subject, adjust either shutter speed or lens opening to underexpose. When you adjust the lens opening, close down the aperture by 1 or 2 stops.
* When the Shutter Speed Dial (7) is set at ''B" (Bulb), set the desired f-stop and expose manually because metering with the built-in exposure meter is not possible.
[Mike: it might be possible to find an extended exposure by using a higher ASA rating. If you temporally change the ASA rating of your 100 ASA film to 400, find the correct exposure in dim lighting. For example if at ASA 400 the exposure is F2 at 1/15, you can use the half rule, half the ASA for a extra F-stop or shutter speed. Therefore F2 at 1/15 at 400 would be F2 at 1/8 at ASA 200 or F2 at 1/4 with ASA 100. Now to get you more depth of field, 1/4 at F2 is now 1/2 at F4 and 1 second at F5.6. So if you can get the meter to give you a correct exposure, you can use this simple rule to change shutter speeds and film speeds.]
* Outside of the meter's coupling range, the exposure meter will not respond correctly. For example, coupling range for ASA 100 film is from 1/8 sec. at f/1.4 to 1/1000 sec. at f/16 (EV 4 - 18). If the light is too dim, use supplementary lighting.
The shutter controls the length of time the light is allowed to strike the film. The speed at which the shutter opens and closed is measured in fractions of a second that correspond to the numbers on Shutter Speed Dial (7). For example, "500" is 1/500 sec., '`125" is 1/125 sec., and so on.4www.butkus.org
* Simply turn Shutter Speed Dial (7) until the
desired shutter speed is set opposite Shutter Speed Index Line (6) (Fig.
14).
Generally speaking, when shooting outdoors in bright
or hazy sunlight, "125" ( 1/125 sec.) is suitable for most pictures.
When taking your subjects in motion, "250" (1/250 sec.) to "1000" (1/1000
sec.) should be used .... Faster speeds will "freeze'' extremely fast moving
subjects (sports, racing cars, etc.). When indoors in a wallet room,
"60'' (1/60 sec.) should be sufficient to take your subjects, depending
upon the film you are using. in poorly lit places, or to achieve the maximum
depth of field, "30" (1/30 sec.) to "8" (1/8 sec.) are available. When
set at "B", the shutter will remain open as long as Shutter Release Button
(9) is depressed (preferably by a cable release). The "B" setting is used
for long night exposure using street lights or electric signs as a light
source, or under poor lighting conditions when flash cannot be used.
Tips for Better Results
* When using slow speeds (below 1/30 sec.), use a tripod or other firm support to prevent the movement of the camera and blurred pictures. In shooting with a telephoto lens, be careful to minimize the camera shake especially.
* Do not set Shutter Speed Dial (7) between marked speeds, but at click stop in accordance with indicated speeds only.
* Shutter Speed Dial (7) does not revolve between "1000" and "B".
The lens opening determines the amount of light entering
the lens and exposing the film. The smaller the f-stop (f/2.0, f/2.8,
etc.), the wider the lens opening and the greater the amount of light entering
the lens. The larger the f-stop (f/16, f/11, etc.), the smaller the
lens opening and the smaller the amount of light entering the lens.
As the lens opening is moved from f/16 to f/11, the amount of light entering
the lens is doubled. As the lens opening is moved from f/2.8 to f/4,
the amount of entering light is cut in half (Fig. 18).
* Rotate F-stop Ring (21) until the desired f-stop
is opposite the aperture index line (Fig. 19). Click stop is provided to
prevent accidental movement from the setting made.
Tips for Better Results
* If necessary, you may set F-stop Ring
(21 ) between two f-stops.
Since you are viewing through the lens, there is
no parallax problem ..... What you are viewing in the viewfinder will exactly
appear in your picture. This enables you to determine the e tact composition
of your subjects before pressing Shutter Release Button (9). Even when
you shoot close ups, there is no danger of accidentally cutting off a portion
of your picture. To assure the sharpest possible pictures, your KR-5 SUPER
has a three way focusing screen with diagonal Split image Spot (36), Microprism-image
Band (35) and Fresnel field, and you can select three way focusing according
to your subject.
1. Lock into Viewfinder Eyepiece (24) to compose your subject.
2. Split-image Focusing ... is helpful for the
subject with either vertical or horizontal lines. Rotate Focusing
Ring (19) until the split image in Split-image Spot (36) forms a single
image. When it is out of focus, your subject is split into two parts (Fig.
22).
3. Microprism-image Focusing ... is good for the
subject which lacks clear vertical or horizontal lines. Rotate Focusing
Ring (19) until the image in Micropnsm-image Band (35) appears sharp (Fig.
22).
4. You can also focus with any part of the area surrounding Milcroprism-image-Band (35). This is most useful when taking pictures with ultra telephoto lenses or in close-up photography with bellows unit, macro lenses or extension rings because the other focusing aids may darken appreciably.
After the last picture on the roll of film has been
taken, rewind the film and unload your camera.
1. Press Film Rewind Release Button (31
) (Fig. 21).
2. Line up Film Rewind Crank (2) and turn it clockwise
until Film Rewind Release Button (31) stops revolving and you feel the
film tension released (Fig. 22). This indicates that the film has been
completely rewound into the cartridge. 3. Open Back Cover (33) by
pulling up Film Rewind Knob (1).
4. Remove the film cartridge and gave the film processed
as soon as possible.
Tips for Better Results
* Always unload your camera in the shade or in a poorly-lit place, never in direct sunlight or other bright light.4www.butkus.org
* When you reach the end of the roll of film, Film Advance Lever (11 ) will tighten and refuse to advance. If this happens, do not advance Film Advance Lever (11) by force for "Just one more shot", otherwise the film will be torn out of the cartridge.
* Film Rewind Release Button (31) will remain in place once it is pressed, and return automatically to its original position when Film Advance Lever ( 11 ) is advanced.
You can use a flash at night or in a dimly lit room as well as for supplementary lighting in outdoor photography. The camera and electronic flash will be fully synchronized with the shutter speed at "B" and 1/8 sec. to 1/125 sec.
* Mount a flash unit with a built-in hot shoe contact on Hot Shoe (5).
[Mike: most flash units you will find today will have an Auto flash mode. Find the F-stop of the Auto mode (some better flash units have 2 or 3 F-stops choices) and set the lens aperture to that Auto F-stop and the shutter speed to the maximum shutter speed (1/125). Your flash should show a range in feet that this flash will Automatically adjust the light from the flash to provide a very effective exposure]
Tips for Better Results
* Use a flash unit with a built-in hot shoe contact
only because the camera is not equipped with flash terminal for a flash
unit
with connecting cord.
* "125" (1/125 sec.) on Shutter Speed Dial (7) is
marked in red as a reminder for electronic flash synchronization (Fig.
23).
* Do not use other makes of flash units that have
special signal pins exclusively for their cameras, as this may damage the
circuitry of the camera.
RICOH SPEEDLITE 180 AND XR SPEEDLITE 240
Use Ricoh XR Speedlite 180 or 240 (Fig. 24) for convenient,
easy to take flash photography.
If you use Speedlite 180 or 240 thrystroid type
automatic flash units:
* You don't have to set F-stop each time, depending
on the camera to-subject distance. Once it is set, flash unit automatically
controls the amount of light for correct
exposure.
| FILM SPEED | F-stop to be set | automatic
flash range |
|
| XR SPEEDLITE
180 |
ASA100 FILM | F/4.0 | 2.6 - 15 feet |
| XR SPEEDLITE
180 |
ASA 400 FILM | F/8.0 | 2.6 - 15 feet |
| XR SPEEDLITE
240 |
ASA100 FILM | F/5.6 | 3.3 - 14.3 feet |
| XR SPEEDLITE
240 |
ASA 400 FILM | F/11 | 3.3 - 14.3 feet |
* Flash Ready LED (25) lights up on the viewfinder frame when the flash is fully charged. So you don't have to remove your eye from the camera to check if the flash is recycled and ready for the next shot. (Fig.27)
* Recycling time is very short when camera-to-subject is closer. Consequently, the battery life is prolonged compared to the non-thrystroid type automatic flash units or ordinary manual type flash units.
Exposure for manual type flash unit
The exposure is determined by the guide number of the electronic flash unit. The guide number represents a relationship between the light output of the flash and the speed of the film. Guide numbers for electronic flash units are found in the technical specifications. Using the guide number, you can determine the correct f-stop for a given flash situation using the following formula:4www.butkus.org
F-stop = Guide number divided by Flash-to-subject distance.
For example, if your flash unit has a guide number of 16 (ASA100.m) or 52.8 (ASA 100 ft) for the type of film you are using and your subject is 2 meters (6.6 ft) from the flash unit as indicated on Distance Scale (20) after focusing, divide 16 (52.8) by (6.6). The answer is 8; therefore, set F-stop Ring (21) to 8 (f/8).
Tips for Better Results
* Most electronic flash units have a built-in dial or exposure table which enables you to quickly compute f-stops based on flash-to-subject distances.
Your KR-5 SUPER has a built-in Self-timer which delays
the shutter release about maximum of 10 seconds. This enables you to include
yourself in your own pictures and is also of benefit in taking close-ups
or photomicrographs where camera movement must be avoided.
1. First, advance Film Advance Lever (11).
2. Merely move Self-timer Lever (15) counterclockwise
(Fig. 25).
According to the degree you have moved it down,
you can adjust the operating time. For the maximum delay, move it until
it stops.
3. Press Shutter Release Button (9) to start the
self-timer moving. Then the self-timer LED lights up to indicate the self-timer
is activated (Fig. 26).
Tips for Better Result
* The camera should be placed on a tripod or other sturdy support when using self timer.
* When using a tripod with a long thread length (more than 5.7 mm), be careful not to forcibly screw in the thread further than the depth of the socket.
To mount the lens on the camera
1. Mount the lens by lining up the red dot on the
lens mount with the matching dot on the camera mount (Fig. 27).
2. Grasp the lens firmly around the lens barrel
and turn it clockwise until it clicks into place.
To remove the lens from the camera
1. Grasp the lens firmly around the lens barrel in one hand.
2. With the other hand, hold the camera body and press Lens Release Lever (16) and turn the lens counterclockwise until it stops (Fig. 28). The lens now can be removed. You can also change lenses easily without looking even in the dark by means of Lens Locator Node (17). Line up Lens Locator Node (17) with Lens Release Lever (16) and turn the lens clockwise for mounting the lens. For removing the lens, press Lens Release Lever (16) and turn the lens counterclockwise until Lens Locator Node (17) and Lens Release Lever (16) line up.
Tips for Better Result
* Do not touch any of the internal parts or permit dust or curt to enter the camera body when removing or attaching lenses.
* Protect the inside of the camera by putting on the body cap whenever the camera is carried or kept with the lens removed.
When you focus on a specific subject, an area in front of and behind the subject will appear acceptably sharp in your picture.
This area of acceptable sharpness is called "Depth of Field". The depth of field is determined by the F-stop you select and the distance from the in-focus subject to the film plane. As you get closer to your subject, or as you open your lens (for example, from f/16 to f/2.0 the depth of field becomes shallower. By stopping the lens down (for example, from f/2.0 to f/16), the depth of field becomes deeper.
INTERCHANGEABLE LENSES AND ACCESSORIES
A wide range of XR RIKENON interchangeable lenses including extremely wide angle lenses, telephoto lenses, zoom lenses and various accessories are available to enable you to expand the pleasure of your picture taking. XR RIKENON interchangeable lenses and accessories are made of selected high quality materials under strict quality control to assure you of high performance and full satisfaction. Select XR RIKENON interchangeable lenses that will meet your needs.
Since the camera is designed to accept any lens with the "K-type bayonet mount, your KR-5 SUPER affords you the opportunity to select any interchangeable lens or accessory of the K-" type bayonet mount available on the market.
[Mike: you can use any K-mount lens including AF lenses. The AF
lens may be difficult to focus as they are not made to be a manual focus
lens. Any PK, Pa/r (lens made with Pentax and Ricoh "Program" pin
or Auto PK (Pentax lens with the "auto" pin as well as the Ricoh
only "program" contact pin) lens can be used but the metering remains the
same. See my initial Chinon web
site about the "program" type of lenses. You must change the
shutter and F-stop individually to get the needles to match even though
you have a "program" lens.]
* Always carry your camera with its carrying case and neck strap. Use the lens cap to protect the lens When not taking pictures.
* Protect your camera from dust, dirt, water, rain, dampness, salt air and rough handling.
* Never expose your camera to excessively high or low temperatures for an extended period of time. In extremely hot climates, do not leave your camera inside closed automobiles during the daytime or in direct sunlight.
* In extremely cold climates, expose your camera to the outer air only when in use ... When using, expose your camera gradually to the outer air to prevent the lens from clouding.
* If exposed to an extremely cold climates, the exposure meter batteries may fail to operate properly. Keep your camera inside your clothing until taking a picture.
* Never touch the surfaces of the lens, metal focal plane shutter curtain, reflex mirror, etc. with your fingers.
* To clean the lens, gently wipe it in a circular motion with a lens cleaning paper or a son, clean and lintless cloth.
* Do not wipe the camera body with chemicals, such as benzene, thinner, etc. Use only soft cloth or cotton swab sprinkled LIGHTLY with alcohol on the camera body. Do not use them on the lens because it can affect coating.
* When your camera is not in use for an extended period of time, put the lens cap, remove the batteries, place your camera in its carrying case together with silica gel or other desiccant and store it in a dry and cool place.
* Never store your camera in places where the temperatures are excessively high or low.
* Do not attempt to disassemble or repair your camera yourself. If service is necessary, get in touch with your dealer or authorized Ricoh service station.
* Do not leave your camera near the magnetic objects like radio, television set, etc.
MAJOR
SPECIFICATIONS OF KR-5 SUPER
Camera Type:
35 mm SLR with metal focal plane shutter.Film Format:
24x36mmFilm Size and Capacity:
35 mm perforated film in 12, 20, 24 or 36 exposures.Standard Lenses:
50 mm XR RIKENON F1.7 lens
50 mm XR RIKENON F2.0 lens
Filter size: 52 mm screw-in typeLens Mount:
"K'' type bayonet with 65 rotating angleShutter:
Vertically moving Copal CCS metal focal plane shutter with speeds from 1/8 to 1/1000 sec. plus B.View finder:
Fixed eye-level pentaprism
Exposure meter needle and Shutter speed needle visible.
Viewing magnification 0.83X
Field of view covers 93% of actual picture areaFocusing:
Diagonal Split-image spot in microprism-image band surrounded by Fresnel field.Exposure Meter:
Two CdS photocells TTL full open metering for center-weighted average light reading coupled to shutter speeds, film speeds and f-stops.Exposure Coupling Range:
EV 4 - 18 (ASA 100 film with 50 mm f/1.4 lens)Film Speed Range:
ASA 12 ~ 3200 (DIN 12 ~ 36)Exposure Meter Power Supply:
Two 1.5V silver-oxide batteries (SR-44, Mallory MS76, Eveready S76 or equivalent).Flash Synchronization:
X Synchronization for electronic flash unit at "B" and 1/8 sec. to 1/125 sec.Flash Contact:
"X" contact on hot shoe for cordless electronic flash unitFilm Loading:
Multi-slit easy loadingFilm Wind:
Single stroke film advance lever with 135 degree winding angle (40 degree play)Film Rewind:
Film rewind crank by pressing film rewind button on base of cameraExposure Counter:
Additive, automatic resetting.Other Features:
Self-timer
Self-timer LED/shutter release LED
Hot shoe
Shutter release lock (with film advance lever)
Meter on/off switch (with film advance lever)
ASA/DIN dial lock
Cable release socket
Tripod socket
Flash ready LEDDimensions:
139.9 (width) x 91.3 (height) x 48.0 (depth) mm (Body only)Weight:
540g (Body only)
* Specifications are subject to change without
notice.