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, M. Butkus,
NJ.
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FEATURES YOU'LL LIKE
·
Through-the-lens
viewing ends
accidental subject cropping ... you see your exact picture in brilliant
viewfinder before you take it.
·
Through-the-lens
focusing: Micro-prism
image rangefinder plus focusing screen make extra-sharp pictures easier to
take.
·
Through-the-lens
system US exposure meter measures light with high degree of accuracy.
·
Single-stroke
film-advance lever also
cocks shutter, counts exposures and prevents double exposures. www.4butkus.org
·
Instant-return
mirror automatically returns to viewing position the instant exposure is made -
no viewfinder "blackout" to delay picture taking.
·
Automatic
diaphragm you
focus and compose with lens at its widest opening - prevents viewfinder dimming
when smaller lens openings are selected.
·
Auto
Rikenon lens lets
you produce slides and prints of superior sharpness and color fidelity.
·
Focal
plane shutter: A
range of speeds from 1/30 sec. to 1/500 sec. plus
bulb let you "freeze" swift action as well as take photos of
excellent quality.
* Hot Shoe makes it easy to
take flash pictures with the electronic flash unit.
KNOW YOUR CAMERA
![]() |
A) Film Speed Selector B) Shutter Speed Dial C)
Film-Advance Lever D) Shutter Release Button H) Preview Lever and Exposure Meter
Switch |
![]() |
N) Hot Shoe 0) Viewfinder Eyepiece P) Focal Plane Shutter Q) Film Rewind Shaft R) Flash Socket (X-type) U) Battery Compartment Cover
|
FILM LOADING
Always load camera in shade, never
in bright or direct sunlight. Use good quality standard 35 mm (12, 20 or 36 exposures)
film, color or black and white.
Press Shutter Release Button (D) to
see that the shutter has been released. Pull Back Cover Latch (T) until camera
back clicks open (Fig. 1). Swing open camera back and place film cartridge into
Film Chamber (S). To place film cartridge properly make sure that
the projected core of the film cartridge comes to bottom of camera (Fig. 2) and
rotate Film Rewind Knob (M) back and forth so that Film Rewind Shaft (Q)
engages film cartridge and film cartridge is seated in place (Fig.
3).
Pull tapered end of film across
back of camera and insert into and through any one of the slits of Film Take-up
Spool (W). Rotate Film Take-up Spool (W) by advancing Film-Advance Lever (C) to
take up film slack and check to see that the tip of film has been firmly hooked
onto Film Take-up Spool (W). Wind film and press Shutter Release Button (D)
each time until a set of sprocket holes on the film engage Sprocket Teeth (Y)
(Fig. 4). Close camera back and snap it shut. Advance Film-Advance Lever (C)
two or three times depressing Shutter Release Button (D) each time until
Exposure Counter (F) is set to "1", ready for your first picture
(Fig. 5). Set the camera for the film which you are using. To set film speed
pull up Shutter Speed Dial (B) and rotate it until the ASA number of your film
is opposite the red marker (Fig. 6). Check the instruction sheet packaged with
your film for the correct ASA speed for that film. If you are using German
film, refer to Fig. 7 for the relation between ASA and DIN.
www.4butkus.org
When you check the camera before loading the film, do not turn the
sprocket or Film Take-up Spool (W) after advancing Film-Advance Lever (C).
Besides, do not turn the sprocket at 350 . degrees before advancing
Film-Advance Lever (C).
BATTERY LOADING
Unscrew Battery Compartment Cover
(U) with a coin and remove it. Wipe off the surface of the mercury battery
(packaged with your camera) with cloth and place the mercury battery in the
compartment with plus "+" end up (Fig.
8). Make double sure that the
mercury battery was loaded correctly and replace the cover. If the mercury
battery is placed incorrectly, the exposure meter needle will not move. The
mercury battery is the power source of automatic exposure system and will last
for about one year. Replace the mercury battery when the exposure meter needle
does not move in bright or direct sunlight with Exposure Meter Switch (H)
pressed. For replacement use Eveready EPX625, Mallory RM625 or equivalent
* The mercury battery may explode
if disposed in fire.
CORRECT EXPOSURE
Correct exposure is achieved by
setting the lens (f-stop) and shutter in correct combination for the film,
subject and lighting condition. As your SLX 500 camera has a built-in
through-the-lens system CdS exposure meter, you can adjust exposure with high
degree of accuracy in the following manner.
1. Set shutter speed by rotating
Shutter Speed Dial (B). A shutter speed ranging from 1/60 - 1/250
sec. will suit your normal outdoor picture-taking and 1/30
sec. and "B" (bulb) for indoor. (Read "Setting the
shutter" carefully).
2. Rotate F-stop Ring (1) and set
the lens at its full opening (Smallest number).
3. Hold your camera and look your
subject through Viewfinder Eyepiece (0). Then, press Preview
Lever (H) and at the same time turn F-stop Ring (1) until the
exposure meter needle in the viewfinder comes to horizontal
position in-between "+" and -" indicators (Fig.
9).
If the exposure meter needle is in the area of
"+" indicator (Fig. 10), this is overexposure. Select a
smaller lens opening or a faster shutter speed. If, on the
contrary, the needle stays in the area of "-" indicator
(Fig. 11), this means underexposure - choose a larger lens opening or a
slower shutter speed. www.4butkus.org
4. Focus the lens and release the
shutter. For focusing the lens, refer to "Viewing
and focusing".
You may set F-stop first and then
shutter speed. Other procedure is same as above. This setting may be used when
you take a portrait or the like making your subject attractive with the back
ground and the scene in front of your subject blurred. How your subject stands
out depends on F-stop setting (Refer to "Depth of field"). Hold your
camera firm or use a steady support like tripod if you have to use a slow
shutter speed.
* Correct
exposure may not be obtained when you expose the subject with your eye away
from Viewfinder Eyepiece (0) or with the sunlight in front of your because your
face may reflect inside the viewfinder, which will influence the exposure
meter.
* Press Exposure Meter Switch (H)
until it completely stops.
SETTING THE SHUTTER
Simply turn Shutter Speed Dial (B)
until the desired shutter speed number is set opposite the white marker (Fig.
12). Make sure the Dial is set at a click stop. Do not set Shutter Speed Dial
(B) in between two shutter speeds. Always set it at a click stop. The shutter
speed setting governs the amount of time the film is exposed to light.
"60" (1/60 sec.) is recommended for subjects not in motion. Where
motion exists, shutter speeds ranging from 1/125 to 1/500 should be used.
To achieve maximum depth of field
(area of sharpness in front of and behind subject), or when shooting in poorly
lit areas, 1/30 and B (bulb) are available. When using "B" (bulb),
use a tripod or other firm support to prevent blurring of the
picture. When set at "B" the shutter will remain open as long as
Shutter Release Button (D) is depressed. The "B" setting is ideal for
long night exposure using street lights or electric signs as a light source, or
under poor light conditions when flash cannot be used.
·
Do
not turn Shutter Speed Dial (B) with Shutter Release Button (D) pressed.
·
Do
not depress Shutter Release Button (D) with Film-Advance Lever (C) not completely advanced.
·
Do
not wind Film-Advance Lever (C) while pressing Shutter Release Button (D).
SETTING THE LENS
Rotate F-stop Ring (I) until the
desired f-stop number is opposite the red marker (Fig. 13). Click stops are
provided to prevent accidental movement from setting made.
The lens
opening determines the amount of light entering the lens and striking and
exposing the film. The smaller the f-stop number (f2.0, f2.8 etc.) the wider
the lens opening and the greater the amount of light entering the lens. The
larger the f-stop number (f16, f11 etc.) the smaller the lens opening and the
smaller the amount of light entering the lens. As the lens opening is moved
from f16 to f11 the amount of light entering the lens is doubled; as the lens
opening is moved from f2.0 to f2.8 the amount of entering light is cut in half.
You may set F-stop Ring (1) in between two f-stop numbers if necessary.
VIEWING AND FOCUSING
Look into Viewfinder Eyepiece (0)
to compose your picture and focus the lens. Rotate Focusing Ring (L) until
subject becomes clear in the micro-prism image, the center circle area (Fig.
14). When your subject appears sharp in the micro-prism image, your picture has
been focused. To take the
picture hold the camera as steady as you can and press Shutter Release Button
(D) slowly and smoothly. Since you are viewing through the lens there is no parallax
problem ... what you are viewing in the viewfinder will appear in your picture.
Even when you shoot close-ups there is no danger of accidental cropping as may
occur when the viewfinder is above or to one side of the lens.
DEPTH OF FIELD
A portion of the picture in front
of and behind your subject will also be sharp. If you wish to know how much of
an area will be sharp in your final picture, this can be predetermined in two
ways.
Depth of Field
Pre-viewer
Pressing Preview Lever (H) will set
the lens at the corresponding opening you previously set on F-stop Ring (1)
(Fig. 15 ) This will enable you to preview the area of sharpness in
the picture before you take it. The viewfinder will become dark corresponding
to F-stop you previously set on F-stop Ring (1). The Preview Lever (H) will
automatically return to its original position when you leave your finger off
the lever and the viewfinder will become bright. www.4butkus.org
Depth of Field Scale
After you have set the lens opening and have focused
the camera, area of sharpness in front of and behind your subject can also be
determined on the Depth of Field Scale (J). Locate on Depth of Field Scale (J)
the two numbers corresponding to the f-stop you have set on F-stop Ring (I).
The distance between these two f numbers of Distance Scale (K) will be the area
of sharpness in your picture. For example, if F-stop Ring (I) is set at 8 (f8),
about 3.5 - 10 m (11.5 - 33 ft.) will be in focus when Focusing Ring (L) is set
at 5 m (16.5 ft.) (Fig. 16).
CHANGING THE LENS
Your camera is equipped with a 50
mm Practica type screw mount lens, the focal length of which is proper for
general-purpose picture taking. You may select additional Practica type screw
mount lenses from wide range of Rikenon lenses which include extremely wide
lenses through long focal length telephoto and zoom lenses. Rikenon lenses are
made of selected high quality materials under severe quality control to give
high performance and full satisfaction. To remove the lens, continuously turn
the lens in a counterclockwise direction until it can be removed (Fig.
17). To
insert another lens, turn the lens in a clockwise direction until the lens is
secured in position.
·
Never
change the lens with Preview Lever (H) pressed.
FLASH PICTURES
Your
camera has Hot Shoe (N) on top of camera which permits you to use a direct
contact type electronic flash unit and Flash Socket (R) on one side of body to
enable you to use electronic flash unit with connecting cord.
If your electronic flash unit is of
direct contact type, simply mount it onto Hot Shoe (N) (Fig.
18). No other
setting is necessary. If you have an electronic flash unit with connecting
cord, mount the flash unit onto Hot Shoe (N) and connect the end of connecting
cord to Flash Socket (R).
Regardless the type of electronic
flash unit, set shutter speed at 1/60 or 1/30. Setting the shutter speed at
faster speed than 1/60 will result in unsynchronized picture.
·
Flash
Bulbs cannot be used because only X contact via Hot Shoe (N) or Flash Socket (R) is
available. www.4butkus.org
·
Never
deeply touch the central part of Flash Socket (R) when you use an electronic flash unit by mounting it onto Hot Shoe (N).
UNLOADING FILM
Always unload your camera in the
shade, never in bright light.
After the last picture on the roll
has been taken, depress Shutter Release Button (D). Press Rewind Button (V) and
lift up crank on Film Rewind Knob (M). Turn crank in a clockwise direction
until the entire roll has been rewound. Tension on the crank will decrease
noticeably (Fig. 19). Open camera back by pulling Back Cover Latch (T), and
remove the film cartridge. Have film processed as soon as possible.
TIPS FOR BETTER
PICTURES
· Read the instruction book carefully
· Before you go on a trip or photograph a special event, shoot a practice roll
·
Keep
fingers and neckstrap clear of the camera lens.
·
When
you reach the end of the roll of film [check Exposure Counter (F),
Film-Advance Lever (C) becomes harder to advance .. don't try for "Just
one more shot", it's time to rewind.
·
Protect
your camera from dust, water, rain dampness, salt air, dirt and rough handling.
Do not expose your camera or film to excessively high or low temperatures.
·
Put
lens cap to protect the lens.
· Do not place lens with its pin on rear part pressed.
·
When
camera is not in use, put lens cap, remove the mercury battery, place camera in
the carrying case and store it in a dry cool place.
• Do not wipe the camera body with
chemicals, such as benzine,
thinner, etc. except for alcohol
Do not attempt to repair your camera. If service is necessary, get in touch with your dealer or
authorized Ricoh Service Station.
VARIOUS ACCESSORIES FOR YOUR SLX 500
A wide range of accessories for
your SLX 500 are prepared to enable you to fully enjoy picture-taking.
AUTO RIKENON
LENSES
|
|
Angle of View |
Lens Speed |
F-stop Control |
Lens Sect. |
Lens Elem. |
Min. Focus |
Filter Size |
Net Weight |
|||
|
Gr. 450g |
Lb. 099 It,
|
||||||||||
|
1. |
f4.0 | Auto | 10 | 11 | 0.3m | 72.0 | |||||
|
17 mm |
102° |
||||||||||
|
2. |
21 mm |
90' |
f38 |
Auto |
8 |
9 |
03m |
72.0 |
290g |
064 lb |
|
|
3 |
24 mm |
85, |
f28 |
Auto |
8 |
10 |
0.2m |
62.0 |
2609 |
057 In |
|
|
4 |
28 mm |
75' |
f 28 |
Auto |
6 |
7 |
03m |
58.0 |
240 g |
0 53 In |
|
|
5. |
35 mm |
63' |
12.8 |
Auto |
5 |
6 |
04m |
52.0 |
220 g |
0 48 Ib |
|
|
6. |
135 mm |
18' |
f2.8 |
Auto |
4 |
4 |
1.8m |
55.0 |
390g |
086 lb |
|
|
7 |
200 mm |
12' |
135 |
Auto |
4 |
4 |
3.0m |
62.0 |
740g |
1.63lb |
|
|
8 |
300 mm |
8' |
15.5 |
Auto |
3 |
5 |
6.0m |
62.0 |
840g |
1.85 I5 |
|
|
9. |
400 mm |
6' |
f6.3 |
Auto |
3 |
4 |
8.0w |
72.0 |
1.0459 |
230lb |
|
|
10. |
55-135
mm Zoom 43-18° |
f3.5 |
Auto |
9 |
13 |
1.5m |
62.9 |
6508 |
143lb |
||
|
11 |
90-190
mm Zoom 27"--13° |
f58 |
Auto |
6 |
7 |
2.0m |
55.0 |
560g |
1.23lb |
||
|
12 |
70-230
mm Zoom 34"-11° |
f4.5 |
Auto |
8 |
13 |
2-5m |
67.0 |
1 3209 |
290 lb |
||
RIKENON LENSES
|
13 |
|
Angle of View |
Lens Speed |
F-stop Control |
Lens Sect |
Lens Elem |
Min Focus |
Filter Size |
Net Weight |
Lb | |
|
Gr 1 000 g |
220
lb |
||||||||||
| f8.0 | Preset | 4 | 4 | 40m | 77° | ||||||
|
500 mm |
5° | ||||||||||
|
14 |
600 mm |
4° |
f8.0 |
Preset |
3 |
3 |
l0m |
90° |
1.860 g |
409 lb |
|
|
15 |
800
mm |
3° |
f8.0 |
Preset |
4 |
4 |
18.0m |
112° |
2.370 g |
5.21 lb |
|
|
16 |
60 mm
macro |
40° |
f2.8 |
Preset |
4 |
5 |
0.2m |
58° |
400 g |
0.88 Ib |
|
|
17 |
135 mm Bellows lens |
18° |
f3.5 |
Preset |
4 |
4 |
|
49° |
200 g |
044 lb |
|
|
18 |
Fisheye |
180° |
|
Preset |
6 |
9 |
|
|
260g |
0.57lb |
|
19.
Bellows Attachment For 135 mm Bellows lens has focusing knob for maximum
sharpness at extremely close distances ... excellent for extreme close-ups.
20. Extension
Ring Set This is used to photograph objects at extremely close distances.
Rings can be used separately or in combination depending upon distance from
object you desire to photograph.
21.
Microscope Attachment allows camera to be attached to microscope for
photographing objects utilizing microscope magnification. Plus a broad line of
other photographic accessories. www.4butkus.org
The following accessories are also
available for your Ricoh SLX 500 camera.
22. Close-up Lens # 1 100 - 32 cm
23. Close-up Lens #2 50 - 24 cm
24. Bellows Attachment "A"
25. Deluxe Bellows Attachment
"B" w/slide copier and focusing track
26. Extension Ring Set (Auto., 3
pieces per set)
27. Microscope Attachment
28. Diopter Adjuster, (-3, -2,
+0.2, +1, +2, +3)
29. Eyepiece Magnifier, x 2
30. Copy Stand
31. Cable Release
32. Deluxe Hand Grip (Foldable bracket)